Black Cobras (from Heart Lamp) by Banu Mushtaq (2025): A Review

Title: ‌Black Cobras (from Heart Lamp)

Author: Banu Mushtaq

Publication Year: 2025

Pages: 20

Rating: ⭐️⭐️⭐️⭐️⭐️

Genre: Domestic Fiction, Biographical Fiction

Awards: International Booker Prize Nominee for Shortlist (2025)

Source: Ebook @everand_us

My initial reaction to the story was one of confusion as I struggled to understand the context of the whispering women. However, as the narrative unfolded, it became clear that their whispers represented a powerless struggle in the background. Banu Mushtaq's storytelling reveals an unending cycle of abuse and violence—both physical and psychological—that leaves readers in disbelief. It's astonishing how the plight of women throughout history can seem so relentless.

“Black Cobras” was even more disturbing than the first two stories. At times, one might think it can't possibly get any worse! Yet, Banu Mushtaq demonstrates that the situation can indeed escalate, perpetuating an endless cycle of abuse and violence. How can women endure such unimaginable suffering throughout history? As I read this story, I found myself moving from anger and rage to sheer fury. Reading these short stories feels like descending into the depths of hell; with each step, you confront experiences that exceed your worst fears and ignite even more outrage. Banu Mushtaq challenges your perceptions at every turn.

The intensity escalates with new themes: the devaluation of girls, abandonment by men, the tragic death of children (which I believe to be murder), and issues surrounding birth control. The silent yet forceful condemnation of the Mutawelli as an accomplice to this suffering offers a fleeting sense of relief, but it raises the question: what punishment exists for such men? Shocking moments, such as the death of a child and the violent acts against Aashraf in a supposedly sacred space like a mosque, filled me with outrage. How can someone commit such atrocities?

Amid the despair, Zulekha Begum stands out as a figure of hope. Her knowledge of Sharia creates a hopeful illusion about the possibility of claiming one's rights, though this is not the reality for all women, especially those without class privilege. They depend on individuals like Zulekha for support. Despite the heaviness of the stories, her presence and Amina’s final act offer a glimmer of possibility.